The first control is used to change the colors of the entire film. It contains a board that consists of four controls. It modifies the colors and saturation of your videos and photographs, giving them a professional appearance. We will discuss some of the color correction tools in this article. Color correction changes the brightness and contrast levels of various regions within your movie.Įditors may change the hue and tone of their video material using a range of color correction tools in Final Cut Pro to get the desired appearance and feel. You may alter your film in the color-correcting workspace to change how it appears in front of the viewer. Using Final Cut Pro's color-correcting tools is the most effective approach to accomplish this. Understanding the Color Correction Workspace in Final Cut ProĪ video clip's colors are adjusted during the color-correcting process to make them appear more attractive and natural to viewers. You can off course use this setting on other clips by clicking the Save Effects Preset button in the bottom right hand corner of the Inspector.The Best Online Color Correction App: Media.io Select the area and the whole image should change.Īnd that is Auto White Balancing by choosing an area you wish to be white. Move the Cursor and it will change to the Eyedropper. Instead, we will sample her T-shirt which although is not 100% white, it does have more colour information. We would go further and say avoid the completely blown out whites such as the lights in the roof. You will see that FCPX gives you a little hint here in the bottom left hand corner of the canvas to select an area that should be pure white. You can also apply this colour correction fix to clips and images in the Final Cut Pro X Browser, not just the Timeline!īack to the Inspector and select White Balance form the dropdown menu in the Balance Color controls. The controls will appear in the Video Parameters Tab in the Inspector. You might notice a slight contrast change as well as Final Cut Pro X expands the blacks and whites to their corresponding 0% and 100% levels. This will apply an FCPX generated balance, which does look a lot better than the original, but there is still a cast. Then click on the magic wand and select Balance Color or you could use the shortcut OPT CMD B. Navigate to the bottom left of the canvas where you will see three icons. You would think that you need to head straight over to the colour tools in the Inspector ( CMD 4) looking for the auto white balance, but you would be wrong. Thankfully you now have a third option right inside FCPX. (It does happen!)īefore the 10.4 update you had two choices how to fix the colours.ġ) Mess about with the Colour Board with an eye on the vectorscope trying to remove the cast.Ģ) Buy a third party colour correction plugin or roundtrip through another NLE or colour grading app. This can happen with fluorescent lighting or even something simple like the cameraman getting the white balance or filter on the camera wrong. Here you can see we have an indoor portrait with a rather nasty colour cast. The good news is that the eyedropper and the Auto White Balance features are back in Final Cut Pro X 10.4, but not where you would expect to find them! Many editors complained that the handy eyedropper that made a 'one click fix' for colour correction had gone. When Final Cut Pro X was released back in June 2011, one of the missing features from FCP7 was the Auto White Balance tool. In this tutorial we will show you how to get rid of unwanted colour casts using the Auto White Balance tool in Final Cut Pro X How to Auto White Balance Colours in Final Cut Pro X 10.4
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